I‘ve just re-watched the brilliant crime drama The Wire. In The Wire, the worlds of drug dealers, policemen and women, politicians, school teachers and children, as well as the media people of Baltimore are intertwined in revealing and challenging-to-watch ways. The drug dealers and the politicians drive around in the same cars, albeit through different streets. The crime stats are fluked as much as the school test scores to get the next mayor elected.
Each world is so multi-layered and complex with its themes, its characters and their different codes and languages that you could finish watching The Wire and start all over again straight away.
In season 5, episode 4, aptly called “Transitions”, is a fantastic breathing-cum-execution scene. Proposition Joe, an enterprising gangster who does big business out of his repair shop meets his maker, the top gangster Marlo with his right-hand man Chris.
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